In one instance, a teetering tower of squirming hand-drawn fonts spells out the title message. Fella employs the central units of graphic design -- text and image -- to craft a self-contained pictogram that advertises nothing but its own joy. Besides sharing a fondness for hand-drawn whimsy, Fella and McFetridge match up in Worthington's view as a telling timeline that illuminates the evolution of graphic design as a purely creative outlet. "Geoff has essentially turned upside down the traditional designer-client relationship with this massive overlap," Worthington says. "He works as an illustrator and he shows at art galleries but still essentially has design at the core of his practice, whereas Ed always had to keep his experimental practice totally separate from his commercial practice. By putting Geoff and Ed together, you can see how design has shifted culturally in relationship to art and illustration."

Posted by Megan

The bedposts are crayons, and the slippers and vases are made of Sculpey. The dresser and wall mountings (including a portrait of a Peep labeled "Mom") were drawn in ink on white paper, then scanned into a computer and reversed into white lines on a black background. As evidenced by the precision, Byer is, in fact, a graphic designer. But he deals mostly in print and has never worked with models or dioramas. Might we suggest a side career?

Posted by Megan

But what happens when you combine typography with motion? That''s the process of kinematic typography and the results, when paired with some excellent scenes from your favorite films and TV shows, can be moving and marvelous.

Posted by Megan

Posted by Megan

Posted by Megan

Posted by Megan